"Por ser a terra muito calmosa" (Because the land is very calm) is a solo exhibition by Rouzbeh Akhbari. It starts from a multifaceted research project entitled "Tales from the Garden of Zãr" and then unfolds in several formal and conceptual layers. 

The exhibition reflects an elaborate framing of the influence of globalisation - and its logical and cultural dimensions - on the re-evaluation of the past, present and future of peoples, nations and cultures; it potentiates the restructuring of theories, narratives and histories. 

The exhibition is curated by Luísa Santos and Fabíola Mauricio and can be visited every day, between 2 p.m. and 5 p.m., at the Amélia de Mello Foundation Gallery. 

This exhibition has free entrance. 
 

Católica Doctoral School organises the exhibition "Equity" that invites to reflect on Human Rights, at the John Paul II Library, Universidade Católica Portuguesa, from 24 June to 20 September 2022.

Using a hybrid format, the exhibition invites visitors to reflect through different media. The CADOS' DHI programme researcher, Carlos Barros, adds that "visitors may interact with the works exhibited in the physical and digital spaces, so that equity is not only in the visit - rather, in the exchange they can bring to the pieces and spread the discussion to more people".

The visit includes photographic works of the Duarte Tarré Association and testimonies from CADOS' Integral Human Development team, as a reflection on the need for engagement in Human Rights for an Integral Human Development. For the researcher, this path translates a World with a connection and peace.

"¿De qué casa eres? Los niños de Rusia. Episodios de un cotidiano #4" is the most recent exhibition at the Fundação Amélia de Mello Gallery, at the headquarters of the Universidade Católica Portuguesa, in Lisbon.

The exhibition, which is open to the public until 26 May, brings together works by the artist Ana Pérez-Quiroga.

"The autobiographical project, which the artist began in 2016, and to which she is systematically adding new readings and presented here in its fourth part - or, in Ana Pérez-Quiroga’s words, its fourth episode - pays homage to the story of her mother, Ângela Petra," explains the curator, Luísa Santos.

Ângela Petra is one of the children who, during the Spanish Civil War, were sent to the Soviet Union without their families.

Integrated in the program of Cultura@Católica, "¿De qué casa eres?" is sponsored by the Fundação Amélia de Mello, Innovarisk, Caixa Geral de Depósitos, Jopinto, Research Centre for Communication and Culture and Fundação para a Ciência e a Tecnologia.

Visit the exhibition from Monday to Friday, from 2pm to 5pm, at the Fundação Amélia de Mello Gallery.

Universidade Católica and the Ilídio Pinho Foundation are inaugurating the exhibition "Zinc: A transcendência do imanente. Obras da Coleção Fundação Ilídio Pinho" on 13 October at 6pm at the headquarters of UCP in Lisbon.

Taking place in the Amélia de Mello Foundation Gallery, the opening will be attended by the President of Católica, Isabel Capeloa Gil, and the President of the Foundation, Ilídio da Costa Leite de Pinho.

The exhibition is curated by Miguel Von Hafe Pérez, who selected works by artists such as Amadeo de Souza-Cardoso, Almada Negreiros, Vieira da Silva, Sarah Affonso and Mário Eloy from the Ilídio Pinho Foundation collection.

“Zinc. A transcendência do imanente. Obras da Coleção Fundação Ilídio Pinho" gathers several contemporary and modern works of art by artists such as Amadeo de Souza-Cardoso, Almada Negreiros, Vieira da Silva, Sarah Affonso and Mário Eloy, with curatorship by Miguel Von Hafe Pérez.

UCP Editora is presenting the book "O domínio decrescente do MPLA no sistema partidário em Angola (2008-2022)" by Carlos Pacatolo on 10 April at 17h30.

The event will be opened by Anabela Antunes and the book will be presented by Manuel Braga da Cruz.

The closing speech will be given by Augusto Aguiar-Branco and the author of the book, Carlos Pacatolo, will be thanked.

On 15 May, the Universidade Católica Portuguesa (UCP) inaugurated the exhibition "Vidro Animístico. visões multidimensionais" (Animistic Glass: multidimensional visions) at the Amélia de Mello Foundation Gallery.

The exhibition by artist Igor Jesus, curated by Luísa Santos, features seven works, including photographs and videos, produced using handmade lenses. The series of images shows objects with undulating shapes, in black and white, created through effects of light and optical illusion.

"I make the lenses to produce these images, these deformations. It's as if I were sculpting with light, controlling the light to be able to model the images," explains the artist, guaranteeing that the effect created in the photographs does not come from digital manipulation.

"Vidro Animístico. visões multidimensionais" (Animistic Glass: multidimensional visions) is on show at the Amélia de Mello Foundation Gallery, at the UCP headquarters in Lisbon, and can be visited every working day between 2pm and 5pm.

The book "Lições da Pandemia, Aprender com uma experiência limite" (Lessons of the Pandemic, Learning from a boundary experience) of the collection Povos e Culturas, coordinated by Américo Pereira and Fernando Ilharco, is launched on May 4, at 5:30 p.m. at the headquarters of Universidade Católica.

Isabel Capeloa Gil, Isabel Capeloa Gil, President of the Universidade Católica Portuguesa, will present the book published by UCP Press. 

The event will also feature a round table with Admiral Gouveia e Melo, Head of the Navy, Ema Paulino, President of the National Association of Pharmacies, and Germano de Sousa, Director and Founder of the Germano de Sousa Clinical Pathology Laboratories Group.

UCP Editora is organising the launch of the latest book in the CECC's Communication and Culture Studies Collection, ‘A Rádio Ecclesia e a Relação com os Poderes Políticos’, by António Estêvão, on 14 November at 6.30pm.

This event will feature a presentation by Anabela Antunes, Director of UCP Editora and the participation of Nelson Ribeiro, Director of the Faculty of Human Sciences of the Portuguese Catholic University, as well as the presence of the author, Frei António Estêvão.